KFC Presents: Familiar Touch (12A)
This film is presented by Keswick Film Club as part of its 2026-2027 season. Everyone is welcome, but Membership of the Keswick Film Club costs £10 and then entitles you to a £3 discount on the ticket price of its films (which are shown on most Sundays from September to March, typically at 5pm).
Familiar Touch (in English)
Whilst films about sufferers from dementia have become more frequent, nearly all have shown the problems more from the point of view of the relations and friends rather than the sufferer.
Ruth has been a famous chef when she starts ‘forgetting things’. We join her on the day she has finally been forced to accept the new reality and move into an assisted-living facility, she herself has chosen, though she doesn’t remember doing so. ‘
Sarah Friedland, the writer/director, has worked in a similar facility, so it should be no surprise that she has got the details of life there down to a T, but it is her choices in choosing the right small details to show us the changes that mark the film as so watchable. ‘
‘Familiar Touch’ lets us travel along with Ruth on the journey from respected professional to patient, from living in a lovely home to supported living, showing her ups and downs, losses and gains, along the way.
Ruth has been a famous chef when she starts ‘forgetting things’. We join her on the day she has finally been forced to accept the new reality and move into an assisted-living facility, she herself has chosen, though she doesn’t remember doing so. ‘
Ruth must gradually accommodate herself to the abrupt loss of her elegant home in Los Angeles, of independence and sense of self-worth – and to accept that her new, circumscribed life is more than the meagre sum of its parts. That it is still worth living’ - Ela Bittencourt, Sight and Sound.
Sarah Friedland, the writer/director, has worked in a similar facility, so it should be no surprise that she has got the details of life there down to a T, but it is her choices in choosing the right small details to show us the changes that mark the film as so watchable. ‘
Most observations are from Ruth’s point of view. At her first communal meal, she’s affronted when she’s not presented a menu, and impatiently waves at the nurses gossiping with their backs turned to her. Their posture signals that she’s not here to dictate her choices to others, but to follow routines – if not orders – instead’ - Ela Bittencourt again.
It is this soft touch from the director, alongside the amazing acting from Kathleen Chalfant that allows this film to be so empathetic to the suffering here.
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